For the latest FWADA events, check out our Facebook page Events tab.  For more information about these events, see each member’s website.

Artspace111Artspace111 thumbnail_HeavenlyView_Farris_Guadalupe & El Capitan
Exhibition: Heavenly View
Dates: Oct. 17 – Nov. 30, 2019
Featured Artists: Dennis Farris and Jim Malone
Gallery Hours:
Tues. through Fri. 10am-5pm ; Sat. 10am-3pm
Visitor Admission: Free
Contact: Ariel Davis,

This exciting show presents two views of national parklands that address the grandeur of these vast landscapes that few of us experience more than once in a lifetime.  Jim Malone’s works on paper will transport you to Big Bend, with desert mountain views and meteor streaked skies.  Dennis Farris’ hyper-realistic and light-filled oil paintings invite you along on his awe-inspiring adventures.

Exhibition: Familiar Endeavor
Dates: Oct. 17 – Nov. 30, 2019
Artspace 111 thumbnail_Familiar_Endeavor_MunozMartinez_Fencelines_86x73_2019Featured Artists: Angel Fernandez, Karla Garcia, Andrea Muñoz Martinez, and Ben Muñoz
Exhibition Dates: Tues. through Fri. 10am-5pm ; Sat. 10am-3pm
Visitor Admission: Free
Contact: Ariel Davis,

Inspired by the work of the 6th Annual Artspace111 Regional Juried Exhibition winner, Karla Garcia, Artspace111 is pleased to present Familiar Endeavor, a group exhibition featuring work by, Angel Fernandez, Karla Garcia, Andrea Muñoz Martinez, and Ben Muñoz. Through printmaking, painting, sculpture and new media, each artist uses personal narrative to discuss their Mexican American identity in relationship to their generational experience with immigration.

Amon Carter Museum of American Art 
Exhibition: The New Tide, Early Work 1940-1950
Featured Artist: Gordon Parks
amon carter gordon parksGeneral Information: 817.738.1933 ;
Exhibition Dates: Sep. 14 – Dec. 29, 2019
Visitor Admission: Free

From his fashion photographs to his thoughtful depictions of American life, Parks used the camera as his tool for proclaiming the value of an American community built on freedom and equality. This exhibition offers an expansive and intimate look at how this pioneering artist became one of the most influential photographers of his day. Gordon Parks: The New Tide, Early Work 1940–1950 is organized by the National Gallery of Art, Washington, in collaboration with The Gordon Parks Foundation.

“A guy who takes a chance, who walks the line between the known and unknown, who is unafraid of failure, will succeed.” – Gordon Parks

Amon Carter Museum of American Art
Exhibition: Set in Motion: Camille Utterback and Art That Moves
amon carter 20190807_utterback_interaction_0003_1Featured Artist: Camille Utterback
Exhibition Dates: Sept. 14 – Dec. 8, 2019
Hours: Sun. 12-5pm; Tues. through Saturday 10am-5pm; Late Nights Thursday, open ’til 8pm

In Utterback’s Untitled 5 (2004), visitors’ movements in the gallery space are run through computer software written by the artist that translates them into an animated digital painting that constantly evolves. Although thoroughly contemporary, Untitled 5 builds on a rich lineage of artwork that records or transforms human movement, including the abstract expressionists Utterback considers her creative forbears. Set in Motion includes a selection of work by women who experimented to pursue this difficult goal, from well-known masters like Georgia O’Keeffe and Helen Frankenthaler to underappreciated artists like Barbara Morgan and Anne Ryan.


William Campbell Contemporary Art
Exhibition: Otis Jones
Featured Artist: Otis Jones Aqua Circle 2_ 2019 2 croppedExhibition Dates: Nov. 23, 2019 – Jan. 18, 2020
Gallery Hours: Tuesday through Friday 10am – 5:00pm; Saturday 11am – 4pm; by appointment
Visitor Admission: Free

Contact:, 817.737.9566

This show features a selection of Otis 

otis jones

Jones’s tactile, depth-driven, nonrepresentational paintings that reveal and revel in the artist’s process and his relationship with the materials. “I’m making things that speak to me and that reflect on my aesthetic and my soul,” remarks Jones, who juxtaposes the formal with the organic and the personal with the universal to create quiet, contemplative microenvironments. To achieve this, he reduces subject matter to its formal elements, highlighting the vastness of simplicity.